Coups de coeur

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    « Join Britain's best-loved wit and raconteur, Stephen Fry, as he follows in the footsteps of his great friend, the late writer Douglas Adams, along with zoologist Mark Carwardine, to remote parts in search of some of the rarest

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    « Samuele is 12 years old and lives on an island in the middle of the sea. He goes to school, loves shooting his slingshot and going hunting. He likes land games, even though everything around him speaks of the sea

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    "Der Luxemburger Vibraphonist Pascal Schumacher, der deutsche Pianist Sebastian Knauer und das Zürcher Kammerorchester stellen mit dieser CD ein hoch interessantes Bach-Projekt vor. Der Komponist Arash Safaian hat sich seine eigenen Bach-Konzerte regelrecht zusammenkomponiert, und zwar indem er

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    "Luxembourgian pianist Francesco Tristano knows how to upend expectations. He made his recorded debut in 2004, performing Bach's complete keyboard concertos. Three years later, he caused a stir in the classical and electronic worlds with his stately covers of

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    « Journalist John Pilger examines the role of the United States' government in Latin American government, arguing that the United States has covertly worked to stifle "true" Latin American democracies whose policies have run counter to the United States' best political

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    « Drifter Chance Wayne returns to his hometown after many years of trying to make it in the movies. Arriving with him is a faded film star he picked up along the way, Alexandra Del Lago. While trying to get her

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    « The Last Mogul is an impressively uncompromising portrait of the iconic powerhouse agent-turned-longtime head of MCA/Universal. Though a familiar presence in Hollywood for half a century - those famously oversized eyeglasses, gaunt frame, toothy grin, and a head

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    « Der Film erzählt die Geschichte von Winfried (Peter Simonischek), einem Musiklehrer mit einem ausgeprägtem Hang zum Scherzen, und seiner Tochter Ines (Sandra Hüller), einer Karrierefrau, die um die Welt reist, um Firmen zu optimieren. Da Winfried zu Hause nicht viel

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    « A wonderfully entertaining, illuminating and finally very touching portrait of Orson Welles. A child prodigy who went on to make extraordinary, often game-changing contributions to whatever medium he chose to be involved in – radio, theatre, film and television – Welles

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    « Adapted from Nobel Laureate Wladyslaw Reymont s classic 1897 novel, The Promised Land is the story of three friends united in their ruthless pursuit of fortune. With stunning camerawork and sumptuous design, Wadja depicts the explosive energy of a world

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    « Une artiste mondialement connue décède et laisse derrière elle un vaste domaine et quatre enfants, tous influencés différemment par son éducation libertaire. Les quatre enfants héritent alors de l'immense fortune de l'artiste, un héritage qui va bientôt détruire

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    « Embittered ex-cop Dave Burke (Ed Begley) enlists ruthless killer Earle Slater (Robert Ryan, The Dirty Dozen) and gambling musician Johnny Ingram (Harry Belafonte) to rob an upstate New York bank. Trouble unfolds however when, fuelled by racist hatred, Earle

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    « Film preservation is a challenge all over the world, but on this scale of crisis Afghanistan ranks near the very top. The country's film history might well have been lost forever, if not for the brave custodians who risked

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    « Before he arrived in Hollywood to leave his indelible mark on timeless comedies, Ernst Lubitsch created an expansive body of work in Germany that proved to be as varied in its tone as it was sophisticated in its measure of

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    « Une cité dans l'agglomération Lilloise, aujourd'hui. Ali, Nasser et Hamza, âgés d'une vingtaine d'années, font la connaissance de Djamel, dix ans de plus qu'eux. Aux yeux d'Ali et ses amis, Djamel apparait comme un aîné aux

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    « A 12 year old girl, walks chest deep into the freezing waters of a South Island lake in New Zealand. She is five months pregnant and won’t say who the father is. Then she disappears. Robin Griffin is a

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    « En 2011, le réalisateur Stig Björkman rencontre Isabella Rossellini, la fille d’Ingrid Bergman, qui lui propose de "faire un film sur Mama". À travers Isabella, s’offre à Stig la possibilité de raconter l’histoire d’Ingrid avec ses propres mots et

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    «It had to happen sooner or later that Billy Wilder, one of the most astringent wits of the American cinema, would make a movie out of the great nineteen-twenties Chicago newspaper farce by Ben Hecht and Charles MacArthur. No matter that it's been very well made before—in 1931 by Lewis Milestone and in 1940 by Howard Hawks, this "Front Page" displays a giddy bitterness that is rare in any films except those of Mr. Wilder. It is also, much of the time, extremely funny. The orginal place and time (Chicago in the late twenties) have been preserved, as well as the principal setting, the press room in Chicago's ancient Criminal Courts Building, The Wilder-Diamond screenplay updates and makes somewhat rougher the original tough-guy dialogue and wisecracks, but the story has not been violated. It's still about the efforts of Chicago's most brilliant, most ruthless managing editor, Walter Burns (Walter Matthau) to keep his star reporter, Hildy Johnson (Jack Lemmon), on the job long enough to cover the impending execution of a poor, shy left - wing innocent whom Chicago's yellow press has turned into a Red Menace from Moscow.»

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    «Here is a hilariously self-aware period comedy polished to a brilliant sheen. Whit Stillman has found a new way of dramatising Austen – or just found a new Austen, an Austen who appears to have pre-emptively absorbed 21st-century satire and inoculated herself against it. Lady Susan is the scandalous heroine, a widow with beauty and a distinguished name, but no financial means, thus entitled to sympathy and in need of money: a dangerous combination. It is a film of surfaces and cynicism, in which the romanticism of the more famous stories is almost entirely absent: not much of either love or friendship. Interestingly, the real Austen heroine is probably the good-looking Reginald; he is the yearning idealist who is revolted by the idea of marrying for money, and is poignantly vulnerable to manipulation. His fate is settled in the way we might expect. But Lady Susan’s role is harder to read. Might she have a heart after all? Love & Friendship is a refreshing and invigorating delight.»

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