How did realist novelists in the nineteenth and early twentieth centuries hint at sex? Metaphors helped: waves, oceans, blooms, and illuminations were all deployed in respectable realist novels to allude to the sexual act, allowing writers to portray companionate marriage while avoiding graphic description. But in Exquisite Masochism, Claire Jarvis argues that some Victorian novelists went even further, pushing formal boundaries by slyly developing scenes of displaced erotic desire to suggest impropriety, perversion, and danger. Through close readings of canonical works by Emily Brontë, Anthony Trollope, Thomas Hardy, and a modernist outlier, D. H. Lawrence, Jarvis reveals how writers’ varied use of specific character types―the dominant woman and the submissive man―in conjunction with decadent, descriptive scenes of sexual refusal creates a strong counter-narrative hinting at relationships beyond patriarchal and companionate marriage structures. Complicating our understanding of Victorian marriage ideology’s more well-trodden focus on a productive, nation-building ideal, Exquisite Masochism offers fascinating insight into our own culture’s debates around illicit sexuality, marriage, reproduction, and feminism.